![]() As a headnote, for example, to his text The Filmmaker's Art, Scorsese's mentor had cited the Victorian critic John Ruskin: "The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plan way. Manoogian, teacher, May 23, 1916-May 26, 1980, with love and resolution, Marty." Those who knew Manoogian would recall that he challenged all his New York University students to see and linked the idea of seeing with the essence of art and religion. In this new "now I can see" citation, Scorsese was commemorating Jakes' new understanding and peace, but as his title card went on to note, he was also "Remembering Haig P. I've never really got from him a terribly credible reason for why he did it he just seemed to feel that it was right" (Schrader 1990, 133). I don't think it's true of La Motta either in real life or in the movie I think he's the same dumb lug at the end as at the beginning, and I think Marty is just imposing salvation on his subject by fiat. His collaborator Paul Schrader maintains that it does not fit the film: "I had no idea it was going to be there, and when I saw it I was absolutely baffled. Scorsese was totally responsible for the new text. 'All I know is this: once I was blind and now I can see'." John's Gospel, chapter 9, beginning with verse 24: "So, for the second time, the Pharisees summoned the man who had been blind and said: 'Speak the truth before God, We know this fellow is a sinner.' Whether or not he is a sinner, I do not know,' the man replied. John's Gospel, chapter 3, beginning with verse 3: "Verily, verily I saw unto thee except a man be born again, he cannot enter into the kingdom of heaven." By the time Raging Bull was completed, Scorsese decided to change the citation to later lines in St. The original script ended with images of Jake shadowboxing, a description of Jake as "still alive, still a condender, a forty-two year old man fighting for a shot," and a citation from St. The title cards with which Scorsese chooses to end Raging Bull suggest that he did not feel equivocal about La Motta's salvation. We should start by analyzing what Marty himself and others around him have to say about it: ![]() There’s the recitation of the On the Waterfront quote, the looming comedy show that Jake is to put on, the way he pumps himself up with air-punches and mantras, and the quote at the end.įirst, the quote. I love this post because ever since I watched Raging Bull, all I can think about is the ending.
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